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April 24 2026 – Friday
Today I slept very poorly, because at 4:30am some large vehicle – either a garbage truck or a street-cleaning machine, I couldn’t quite tell – pulled up right under my window and stayed in the same spot for at least an hour, making unbelievably loud noises. I never figured out what it was doing there, since I couldn’t properly see it from my window, but it was impossible to sleep, and I only managed to drift off for a bit once it had left, even though I then had to get up early for all my tours.
I don’t have breakfast at the hotel, so in the morning I went straight to a bar right opposite as soon as it opened. It’s a traditional kind of place – coffee in the morning, wine in the evening. I went in literally as the woman working there opened the shutters, and at the same time quite a few other people came in. I sat down to eat and watch people, and came to the conclusion that these coffee bars are the local equivalent of our “day-day kafesi” (“cafes for uncles”), because the entire time I was there, various working-looking men kept coming in for a quick espresso, drinking it right at the counter, exchanging a few words with the barista or each other, and leaving.
I had a ticket to the Accademia Gallery for 9am, and there was a bit of a hiccup. The booking page showed two locations on the map: one was the entrance to the gallery, and the other was supposedly the meeting point with an agency representative who was meant to exchange my voucher for an actual ticket. It said something like, “our staff in yellow vests will meet you there”.
I arrived and saw the gallery entrance with a queue, along with various representatives from different agencies – but not the one I needed. Meanwhile, Google Maps sent me in a completely different direction, where there was no sign at all, and the meeting point was marked in front of what looked like a hotel. Then a couple approached the same spot, with phones in hand, also looking for the people in yellow vests – but there weren’t any.
I started to suspect that this probably wasn’t the right place, and after unsuccessful attempts to call or message anyone on WhatsApp, we collectively decided to go back to the gallery, queue up, and try to get in with the voucher.
In the end, we joined the 9am queue (there was a separate one for each time slot), and when it was our turn, we were told that we did indeed need to exchange the vouchers and pointed to not one, but three people in yellow vests standing nearby. Of course, it was a completely different location – the street number was correct, but somehow Google Maps sent us to the wrong place.
Anyway, everything worked out, and at 9am sharp I walked into the gallery. I should say I came to the conclusion that museums and galleries need to be approached strategically. No one has the time or energy to see everything. For example, in this case, you know you’re going there to see David, so you plan everything around David.
So, I didn’t waste much time looking at the paintings in the first room, just gave them a quick glance and went straight to David. On the way, there were also the four unfinished sculptures of “Slaves” that Michelangelo was working on for the tomb of Pope Julius II.
David itself, of course, immediately stands out – it’s huge, five metres tall. Interestingly, the proportions are intentionally distorted – the head and right hand are unnaturally large, because the sculpture was meant to be viewed from below. Also, it’s carved from a single block of marble that had previously been considered defective and that no one wanted to work with.
All in all, I spent no more than half an hour in the Accademia Gallery and moved on. I then had a ticket to the Uffizi Gallery for 11am. On the way, I stopped for an espresso in one of the coffee bars – the espresso here could wake the dead, which was very helpful after a half-sleepless night.
At the Uffizi there were also different queues for different time slots, and it turned out that although I had booked for 11, I was assigned the nearest available slot at 11:30. There was no point trying to get in earlier, so in the meantime I looked at the sculptures in the open-air Loggia dei Lanzi, including Cellini’s “Perseus with the Head of Medusa.” There’s also another David nearby – a replica, of course. I had some delicious dark chocolate gelato, and then went back to the Uffizi.
While I was standing in line, a Russian-speaking couple arrived and casually squeezed into the middle of the queue. Only my very unfriendly look ensured that they moved behind me rather than in front of me.
I have to say, despite the unfriendly look, I was really looking forward to visiting the Uffizi. It gave me goosebumps to think that someone had created a sculpture or painted a picture, and 500 years later people are spending money and standing in queues in order to see their work.
I approached this gallery strategically as well and selected eight paintings I absolutely had to see: Botticelli’s Birth of Venus and Primavera, Lippi’s Madonna and Child with Two Angels, Michelangelo’s Doni Tondo, Raphael’s Madonna of the Goldfinch, Leonardo da Vinci’s Annunciation, Titian’s Venus of Urbino, and Caravaggio’s Medusa. I planned my entire route around these with the help of ChatGPT, to be as efficient as possible and see everything. All the other paintings I saw were along this route. As a result, I enjoyed this visit enormously, which is not always the case with museums and galleries.
The visit took about an hour and a half, which, in my opinion, is more than enough to avoid getting too tired and not to spread your attention too thinly. Afterwards, feeling completely satisfied, I went for lunch – beef sirloin with arugula and parmesan. This time I skipped wine, and as it soon became clear, that was a very wise decision.
Next on the agenda, with a pre-booked ticket, was climbing Giotto’s Campanile next to the Duomo (the Cathedral of Santa Maria del Fiore) at 4:30pm. I still had plenty of time, which I decided to spend walking around the cathedral to see it from all sides.
Entry to the cathedral was free, though with a small queue, so I decided to go inside as well. I have to say, from the outside the cathedral is absolutely stunning – I would probably call it one of the most beautiful, if not the most beautiful, I’ve ever seen. But inside, it didn’t strike me as anything extraordinary. I’ve seen much more impressive cathedrals – there’s no comparison at all with the Sagrada Família, for example. The only really striking feature is the dome and its frescoes.
After that, I went to see the San Lorenzo Market. The market consists of an outdoor section with souvenir and leather stalls, and a covered food hall with produce vendors – cheeses, meats, snacks, sandwiches. I imagine it must be packed at lunchtime, but I went in the afternoon – there were people, but not even all the stalls were open anymore.
And finally – the bell tower, and this was quite an adventure. I keep telling myself never to climb another tower again, but somehow I always end up doing it anyway.
Compared to Venice, where the Campanile takes you up and down by lift and all you have to do is enjoy the view, this is nothing like that.
To reach the top viewing platform, you have to climb 414 steps. When I googled it, it didn’t seem too bad, because I’m usually afraid of spiral staircases, and the photos showed straight ones. And they were straight at first. Very narrow, though, with people going both up and down at the same time, squeezing past each other – and there were no railings at all, just bare stone walls.
The worst part was that in the end there was indeed a spiral staircase leading to the very top. I made it up, trying not to think about how I’d get down later.
Of course, the view from the top is stunning – you see the Duomo dome at eye level, looking at the people standing there, while they look back at you. But the descent was honestly a nightmare. I had a proper panic attack – it was already scary going down, there was nothing to hold onto, and on top of everything there was a constant flow of people climbing up, so I had to stand in awkward positions waiting for them to pass. At one point, some Italians even asked (in Italian!) if I was scared and offered me their arms to hold onto.
I somehow made it down, and once again I swear I will never climb another tower again! And yes, good thing I didn’t have wine at lunch – this was not exactly fun even when completely sober.
By then it was already getting close to dinner time – a bit early, but I was quite hungry, so I headed to the LiVio pizzeria, which had been recommended to me as one of the best in town. And unlike the rather mediocre pizza I had in Venice, this one really was excellent.
My food adventures didn’t end there, because after dinner I decided to have a limoncello spritz elsewhere, and was unexpectedly served a complimentary bruschetta with tomatoes.
In general, I’m definitely eating much more than usual here – more fat, more sugar, more carbs in general. But I believe that any trip is also a chance to immerse yourself in the culinary culture of a place, alongside everything else, so I don’t regret anything!
After all that, I wandered around a bit more near my hotel – exploring parts of the area I hadn’t seen yet.
Travelling Leila 